He: Fetch a beer, wife, damn you!
Why so idle here?
Why so idle here?
She: So now the gracious Tsar the man is
to shout a beer he wants?
to shout a beer he wants?
He: A beer, I say! For tsar I am!
And rare the thirst the devil has
to see this night a woman lynched!
And rare the thirst the devil has
to see this night a woman lynched!
She: Police! Police! Murder! Murderer!
Madman my husband is to think himself our Father Tsar
and boast to wear the Devil’s crown!
Madman my husband is to think himself our Father Tsar
and boast to wear the Devil’s crown!
Arrest him now!
His tongue is revolution!
•
•
Catherine Eisner believes passionately in plot-driven suspense fiction, a devotion to literary craft that draws on studies in psychoanalytical criminology and psychoactive pharmacology to explore the dark side of motivation, and ignite plot twists with unexpected outcomes. Within these disciplines Eisner’s fictions seek to explore variant literary forms derived from psychotherapy and criminology to trace the traumas of characters in extremis. Compulsive recurring sub-themes in her narratives examine sibling rivalry, rivalrous cousinhood, pathological imposture, financial chicanery, and the effects of non-familial male pheromones on pubescence,
see Eisner’s Sister Morphine (2008)
http://catherineeisnerfrance.blogspot.co.uk/2011/09/sister-morphine.html
and Listen Close to Me (2011)
http://catherineeisnerfrance.blogspot.co.uk/2011/09/published-this-autumn-listen-close-to.html
and A Bad Case (2015)
and Listen Close to Me (2011)
http://catherineeisnerfrance.blogspot.co.uk/2011/09/published-this-autumn-listen-close-to.html
and A Bad Case (2015)
