Thursday, 26 March 2026

We are asked, ‘What is the matter?’ (Some sixty-something years later can the UK’s 2026 National Year of Reading propose answers?)

He waited while she closed the front door, then followed her into the sitting-room, the entrance to which was immediately on the right. The inevitable three-piece suite of furniture was grouped round the tiled fireplace in which was laid, and had obviously been so for some time, a fire. 

On the mantelpiece was a large clock, and on each side of it a couple of scrofulous china dogs; immediately above was a sun mirror. To the right was the television set, on the near wall a case filled with pre-television books. 

‘What is the matter?’ she asked hurriedly, as soon as they had sat down. 

Counsel for the Defence by Jeffrey Ashford.  

Best-selling British thriller, 1960.  

The National Year of Reading 2026 is a major UK initiative designed to combat declining literacy and book readership by presenting reading as a contemporary, essential activity with the potential to see it no longer outrivalled by its internet/TV competition. 

Led by the Department for Education and National Literacy Trust, the campaign is the first to unfold against a fully digital attention-grabbing economy, operating in the era of smartphones, streaming platforms and — critically — generative artificial intelligence. Except, rather than condemn this digital revolution, the campaign acknowledges it directly. 

The urgency of the initiative is grounded in the very latest evidence with survey data cited by the campaign indicating that only around one in three young people aged 8 to 18 report enjoying reading in their leisure time, and roughly one in five read daily for pleasure. 

The worthy aim is a sea change in reading habits with an ambitious agenda that requires coordinated, system-wide action rather than isolated interventions.

And yet . . . and yet . . . how pleasurable it must have been to guiltlessly light that fire set for us in the grate before the age of smoke abatement laws and, untroubled, to have curled up at the hearth with a good book before our surrender to the tide of digital saturation that now stifles this once time-honoured pursuit. 


Catherine Eisner believes passionately in plot-driven suspense fiction, a devotion to literary craft that draws on studies in psychoanalytical criminology and psychoactive pharmacology to explore the dark side of motivation, and ignite plot twists with unexpected outcomes. Within these disciplines Eisner’s fictions seek to explore variant literary forms derived from psychotherapy and criminology to trace the traumas of characters in extremis. Compulsive recurring sub-themes in her narratives examine sibling rivalry, rivalrous cousinhood, pathological imposture, financial chicanery, and the effects of non-familial male pheromones on pubescence, 
and Listen Close to Me (2011)

 

Tuesday, 9 December 2025

Floreat amor ♡ Take heart

 Hold my hand as if you love me, stupid.

So where is that pride you have too much of ?

No stars lose their shine despite what you did

and flowers still bloom for fools out of love.

Catherine Eisner  

Photo credit : Ievgen Chabanov

 

See also
Faint Aroma of Performing Seals

Saturday, 15 November 2025

Skin Job. A Self-Narrative Assignment.

Just last week I was astonished to learn a fiction of mine from my ‘Fugitive Pieces’ file had surfaced at my publishers (Salt).

Its title? Skin Job. A Self-Narrative Assignment. 

https://www.saltpublishing.com/blogs/house-magazine/skin-job

Yet I was all the more astonished when I opened the page to note a name familiar to me from my distant past. The publishers’ announcement states: ‘Erica Wagner joins the Salt list

https://www.saltpublishing.com/products/wash-9781784634018 

Yes. Curiously, I look back and find my fiction, The Cheated Eye, alongside Erica’s (Pyramid) in The Catch collection of prize-winning Asham Award stories. The competition, the very first  when launched in 1996, attracted over six hundred entries of which the judges selected thirteen which were published together with commissioned stories by Kate Atkinson, Rachel Cusk, Louise Doughty, Candia McWilliam and Deborah Moggach.

See here the story behind the Asham Literary Endowment Trust in memory of Virginia Woolf:

https://www.thresholdsarchive.org.uk/the-story-behind-the-asham-trust/ 



Catherine Eisner believes passionately in plot-driven suspense fiction, a devotion to literary craft that draws on studies in psychoanalytical criminology and psychoactive pharmacology to explore the dark side of motivation, and ignite plot twists with unexpected outcomes. Within these disciplines Eisner’s fictions seek to explore variant literary forms derived from psychotherapy and criminology to trace the traumas of characters in extremis. Compulsive recurring sub-themes in her narratives examine sibling rivalry, rivalrous cousinhood, pathological imposture, financial chicanery, and the effects of non-familial male pheromones on pubescence, 
and Listen Close to Me (2011)

Wednesday, 5 November 2025

FOUND! Wisdom Spun in Gossamer: Spiderivable Radials

My young nephew, Ernst Bienek, is torn between his passion for arachnids and his fanatical devotion to mountain biking, enthusiasms that no doubt explain his extraordinary new theory whose working title is Spiderivable Radials for optimised tensegrity of structures. I understand he is still perfecting the proofs of his discoveries yet he’s also keen to invite other theoreticians to share their thoughts on his propositions.

So here you are first to read of his arachnoid derivations.

Or perhaps you already know the premise of his findings?

Ernst sketches it out like this . . .

In sum, the  Spider’s Web and, essentially, its Radial Angles yield an Optimal  Correlation of  

Number, Structural Economy and Tensile Strength

Significant Median Angle of Cobweb Radials is 12.7°

a division, which, within 360°, equals 28 Radials.

Consider then the Spokes of a Mountain Bike Wheel (Optimum Lightweight/Strength/Spokes Correlation)

Number of Spokes = Median between 24 and 32 = 28

The Significant Number is 28 radials

Spider and Man are in perfect accord ?

The dome of the Pantheon, Roman 2nd Century Temple,
has 28 Radials. Some two thousand years after it was built,
the Pantheon is still the world’s largest unreinforced dome.
Photo credit: Mohammad Reza Domiri Ganji
Wikimedia Commons

Can we then assume the ‘lacing’ of a cobweb and the lacing of a mountainbike’s wheel spokes have a preordained correlation identified some two thousand years ago, when considerations of strength and economy of means were formulated for the dome of the Pantheon — the temple dedicated to ‘All the Gods’ — now one of the best-preserved of all Ancient Roman buildings?


29 Radials (near mean-optimum)
Photo credit: Fir0002/Flagstaffotos

Ernst asks:

What did the Ancients know?

What does the spider know?



You are reading it here first.

A recent study of cobwebs (2021)* shows that extracted geometrical numeric values can elucidate how spider web utilisation has the potential to guide development of optimised fibre oriented reinforced composite structures for constructing such figurations as shell structures, pressure vessels and fuselage cones for the aviation industry. The statistical results depict the opening angle utilisation by the spider for web construction, and the cumulative mean of all collected samples shows that the favourable angle of the spider for orientation in web construction is 12.7°.

* Journal of Composite Science

Tuesday, 23 September 2025

Found! Poésie trouvée (Part 6).

I have touched upon, in earlier posts, the peculiar jolt one is dealt when a specimen of poésie trouvée is stumbled upon.  
     So it was all the more surprising to discover such a specimen lurking in my own prose.
     Simply, it’s a paragraph from my novel concerning the fortunes of Klara and narrator Éveline who – against all expectations – find themselves falling very much in love.  
     As to rhyme, it’s an unconscious pairing one might say.
     A snatch of dialogue. Klara speaks first . . .

Two Graces.
Detail from Antonio Canova’s Neoclassical sculpture (1814), 
commissioned for Empress Josephine and now exhibited
in the Hermitage Museum, Saint Petersburg.
(Source Wikimedia.)

        ‘We agreed. Agreed. For both of us.’
        Klara drew close to me.                
        ‘We are not looking for what we do not want. Because . . .’
        ‘Because we have found what we . . .’
        ‘Need,she pronounced throatily 
        ‘Need.’
 
For more examples of poésie trouvée see my earlier posts . . .
That Cry in the Night
Immured Mustard Field
The Unsought Text



 

Monday, 1 September 2025

A Reissue from the Harcourt Archives! Adhoc-ism: The Art of the Impromptu.

Reissued by Éditions Studio Harcourt in a facsimile of the now unprocurable first edition, Verity Askew’s popular standard work (1948) – Adhoc-ism: The Art of the Impromptu – remains an informed, entirely novel and exhaustive treatise on a neglected interwar cultural subcurrent, including new structures and patternings such as ‘Cut-ups’, Découpage, Papierausschnitte, Merz, ‘Flourishes’, Pataphysical Illusions, Conjurings and Happenings with an Appendix devoted to ‘past and present’ (interwar and circa mid-1940s) exemplars of this Dadaistic style. An edition to be cherished; to be had at all quality booksellers.

First edition. Original trompe l’oeil dustjacket (1948).

Tuesday, 26 August 2025

‘Hostage in Peking’ Sonnet circa 1968 ‘A Vacuum of Hell’

In July 1967, journalist Anthony Grey was imprisoned by the Chinese People’s government for 27 months of solitary confinement endured in the basement of his house whose exterior was daubed with anti-imperialist taunts by the Red Guard
 
It was his ‘vacuum of hell’, a torment magnified when he was forbidden possession of his books . . . until he discovered an instruction leaflet in his bathroom cabinet attached by ‘an elastic band round a bottle of T.C.P. [trichlorophenylmethyliodosalicyl] liquid antiseptic  . . . I eagerly absorbed the literary elegance of such phrases as: “Influenza, as a precautionary measure during epidemics, use night and morning as for colds.” And “Mouthwash: use daily diluted with about five parts water after meals.” And “Chilblains, aching feet, athletes foot: freely apply undiluted.” ’

 
Had this discovery been for Grey a sort of Damascene moment, one speculates, an encounter with his lost Rosetta Stone preserved in the bathroom cabinet, so long deprived of such emollient wording in his own cherished tongue, the language of Shakespeare? 

And, therefore, at such a moment in his ‘Forsaken Place’*, did he subconsciously attempt to deconstruct the paucity of those T.C.P. instructions – savouring each phrase in iambic pentameter – to contrive a testament to his hard wrought defiance in our time-honoured Shakespearean Measure? 
 
Did he pummel some sort of sense into those inoffensive words? I rather suspect he did.
 
                    January’s a danger month, Mother,
                    particularly when its germ toxins
                    take hold, with forty-four hurts deep in the
                    membranes of strict preventative routines

                    night and morning, so no foreign body
                    might escape into the system or leave 
                    a feverishness to see multiply 
                    the severe dampness of one’s handkerchief.

                    So extra help is needed that counteracts
                    threats of dirt-embedded skin necrosis
                    or incubated unwanted side effects. 
                    Let Nature ease discomfort . . . if you start this

                    extra internal action early enough
                    you’ll have a real chance of throwing it off.
 
*For further reflections on ‘Lazarine Literature’ and ‘The Forsaken Place’ see: