Catherine Eisner

Saturday, 6 December 2014

No Poetic Makeweights, Thank You, Pastry Cooks Excepted . . . . . . . or Finishing School for Versifiers (part 2).

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When is a metrical makeweight ever acceptable to a poet? Padding? Never! Tennyson’s Now sleeps the crimson petal, now the white , for ex...
Monday, 1 December 2014

Two Untimely Deaths Foreshadow Aristotelian Dramatic Irony

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Definition:   Dramatic Irony . A plot device in which apprehension of events or motives is the god-like privilege of the audience but not...
Monday, 13 October 2014

A Master of Horror Outspooked . . . Fritz Leiber’s Our Lady of Darkness

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It was a Friday of a famous landslide election victory, I remember, and the clamour of doltish triumphalism in our street continued to oppre...
Thursday, 28 August 2014

The Audit of Fame 1: Prodigal Son Vincent Van Gogh

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Let me declare at once that I claim first dibs on the title, The Audit of Fame , as it may be found set in stone on page 313 of my Sister M...
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Monday, 4 August 2014

For those who would a war declare . . .

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August 1  1914                           For those who would a war declare
                              we flung our hats up in the ...
Friday, 1 August 2014

The Irreconcilable Sententiousness of Libertine Old Masters . . .

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In the collected works of Anton Chekhov  the short story, Imeniny ( The Name-Day Party ), is often singled out as a remarkably faithful por...
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Catherine Isolde Eisner
Author of Sister Morphine, Salt Publishing 2008. Published also by Ambit, MsLexia, Stand, Strange Attractor journal and by Arts Council Poetry Collection website overseen by London’s South Bank Centre. Published 2011, Listen Close to Me: Hidden Lives of Love, Madness, Murder, Loss and Deception (Salt Modern Fiction). Published 2014, A Bad Case and Other Adventures of Disturbed Minds (Salt Modern Fiction).
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